"Goten-Yama Hill, Shinagawa on the Tokaido" captures the essence of Hokusai's mastery in the ukiyo-e tradition, depicting a serene hanami (cherry blossom viewing) scene against the backdrop of Mount Fuji. The composition brilliantly balances the delicate pink sakura blooms in the foreground with the distant, majestic silhouette of Fuji, creating a harmonious interplay between near and far elements. Hokusai's distinctive use of Prussian blue, a relatively new pigment in Japanese art at the time, adds depth and vibrancy to the sky and mountain.
Created during Japan's Edo period, this print belongs to Hokusai's celebrated series "Thirty-six Views of Mount Fuji," produced when the artist was in his seventies. The scene captures a moment of leisure and social gathering, reflecting the growing merchant class's appreciation for natural beauty and seasonal celebrations. The careful placement of figures enjoying their picnics under the cherry trees offers a glimpse into the cultural significance of hanami in Japanese society.
Hokusai's attention to detail shines through in his treatment of the human figures, each rendered with individual character despite their small scale. The artist's innovative approach to perspective, combining traditional Japanese flat planes with Western-influenced depth, creates a dynamic visual experience. This piece exemplifies how Hokusai revolutionised landscape printing by incorporating everyday scenes with grand natural elements, influencing both Eastern and Western art movements. His work particularly captivated European Impressionists, who drew inspiration from his bold compositions and use of colour.
