Maquettes de théatre i.-xv. Alexandra

'Maquettes de théatre i.-xv.' by Alexandra Exter (1882-1949) represents a groundbreaking series of theatrical design studies that revolutionised stage aesthetics in the early 20th century. These vibrant compositions showcase Exter's distinctive approach to Constructivist design, featuring bold geometric shapes, dynamic diagonal lines, and a striking use of colour that creates a sense of movement and spatial depth.

Created during the 1920s, these designs reflect Exter's innovative vision for modernist theatre, combining elements of Cubism, Futurism, and Russian avant-garde. As one of the few women at the forefront of the Constructivist movement, Exter challenged traditional theatrical design by introducing abstract forms and mechanical elements that transformed stage spaces into kinetic environments. Her work bridged the gap between fine art and theatrical design, influencing both disciplines significantly.

The maquettes demonstrate Exter's meticulous attention to spatial relationships and her understanding of how forms interact with light and shadow. Each design serves as a miniature stage, where architectural elements, costume suggestions, and lighting effects merge to create dynamic theatrical possibilities. These works emerged from her experiences in Paris, Kiev, and Moscow, where she collaborated with progressive theatre directors and contributed to the revolutionary artistic movements of her time. Her designs continue to influence contemporary stage design and visual arts, highlighting the enduring relevance of her experimental approach.

The series particularly showcases her mastery of creating three-dimensional effects on flat surfaces, using overlapping geometric shapes and carefully considered colour relationships to suggest depth and movement. This technique was revolutionary for its time and demonstrated how modern art principles could be practically applied to theatrical design.