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Maquettes de théatre i.-xv. Alexandra
Maquettes de théatre i.-xv. Alexandra
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£12.45 GBP
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£12.45 GBP
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Alexandra Exter's 'Maquettes de théatre i.-xv.' represents a groundbreaking series of theatrical set designs that revolutionised stage aesthetics in the early 20th century. Created between 1919-1925, these vibrant compositions showcase Exter's distinctive approach to Constructivist design, combining bold geometric shapes, dynamic angles, and striking colour combinations that seem to leap from the surface.
As a leading figure in the Russian avant-garde movement, Exter brought her innovative vision to theatrical design during a transformative period in European art. These maquettes reflect her unique synthesis of Cubism, Futurism, and Constructivism, demonstrating how she reimagined traditional stage spaces into abstract, three-dimensional environments. Her use of intersecting planes and dramatic colour contrasts created a sense of movement and energy that transformed static stage designs into kinetic sculptures.
The significance of these works lies in their radical departure from conventional theatrical design. Exter believed in the integration of all artistic elements - costume, set, and movement - to create a total theatrical experience. Her designs influenced not only theatre but also film, fashion, and architecture. These maquettes exemplify her philosophy that stage design should be an active participant in storytelling rather than merely decorative backdrop, establishing her as a pioneer in modern theatrical design and inspiring generations of artists who followed.
The collection demonstrates Exter's mastery of spatial relationships and her ability to create dynamic compositions that seem to shift and transform before the viewer's eyes. Through these works, she challenged traditional perspectives on theatre design, proving that avant-garde principles could successfully translate to practical stage applications while maintaining their artistic integrity.
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As a leading figure in the Russian avant-garde movement, Exter brought her innovative vision to theatrical design during a transformative period in European art. These maquettes reflect her unique synthesis of Cubism, Futurism, and Constructivism, demonstrating how she reimagined traditional stage spaces into abstract, three-dimensional environments. Her use of intersecting planes and dramatic colour contrasts created a sense of movement and energy that transformed static stage designs into kinetic sculptures.
The significance of these works lies in their radical departure from conventional theatrical design. Exter believed in the integration of all artistic elements - costume, set, and movement - to create a total theatrical experience. Her designs influenced not only theatre but also film, fashion, and architecture. These maquettes exemplify her philosophy that stage design should be an active participant in storytelling rather than merely decorative backdrop, establishing her as a pioneer in modern theatrical design and inspiring generations of artists who followed.
The collection demonstrates Exter's mastery of spatial relationships and her ability to create dynamic compositions that seem to shift and transform before the viewer's eyes. Through these works, she challenged traditional perspectives on theatre design, proving that avant-garde principles could successfully translate to practical stage applications while maintaining their artistic integrity.





