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Maquettes de théatre i.-xv. Alexandra
Maquettes de théatre i.-xv. Alexandra
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£12.45 GBP
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Alexandra Exter's 'Maquettes de théatre i.-xv.' represents a groundbreaking series of theatrical designs that revolutionised stage aesthetics in the early 20th century. These vibrant compositions showcase Exter's distinctive approach to Constructivist theatre design, featuring bold geometric shapes, dynamic diagonal lines, and a sophisticated interplay of colour and form.
Created between 1921 and 1925, these designs reflect Exter's innovative vision for modernist theatre, where she transformed traditional stage spaces into abstract, three-dimensional environments. The maquettes demonstrate her unique ability to combine Cubist and Suprematist elements with practical theatrical considerations, creating designs that were both artistically striking and functionally feasible for actual stage productions.
As a leading figure in the Russian avant-garde movement, Exter developed these works during a period of intense artistic experimentation in post-revolutionary Russia. Her designs challenged conventional theatrical presentation by emphasising movement, rhythm, and spatial relationships. The series exemplifies her belief that stage design should be an active participant in performance rather than mere decoration, influencing generations of theatre designers and artists who followed. These works particularly showcase her mastery of combining architectural elements with costume design, creating unified visual environments that revolutionised theatrical presentation.
Each maquette demonstrates Exter's meticulous attention to spatial composition and her understanding of how performers would interact with these abstract environments. The designs feature multi-level platforms, geometric constructions, and innovative lighting solutions, all rendered in her characteristic style of bold colours and sharp angles. This series remains a brilliant example of how avant-garde art principles could be successfully applied to practical theatre design.
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Created between 1921 and 1925, these designs reflect Exter's innovative vision for modernist theatre, where she transformed traditional stage spaces into abstract, three-dimensional environments. The maquettes demonstrate her unique ability to combine Cubist and Suprematist elements with practical theatrical considerations, creating designs that were both artistically striking and functionally feasible for actual stage productions.
As a leading figure in the Russian avant-garde movement, Exter developed these works during a period of intense artistic experimentation in post-revolutionary Russia. Her designs challenged conventional theatrical presentation by emphasising movement, rhythm, and spatial relationships. The series exemplifies her belief that stage design should be an active participant in performance rather than mere decoration, influencing generations of theatre designers and artists who followed. These works particularly showcase her mastery of combining architectural elements with costume design, creating unified visual environments that revolutionised theatrical presentation.
Each maquette demonstrates Exter's meticulous attention to spatial composition and her understanding of how performers would interact with these abstract environments. The designs feature multi-level platforms, geometric constructions, and innovative lighting solutions, all rendered in her characteristic style of bold colours and sharp angles. This series remains a brilliant example of how avant-garde art principles could be successfully applied to practical theatre design.
